EDITREADY KEYWORDS 720P
With this update to EditReady, you can fire up a powerful system, plug in your ProRes RAW files, then crank out lightweight ProResLT 720p files to edit with and have a fast, fluid edit process on even an older or less powerful system.įor us, EditReady is going to be the main choice for tight turnaround jobs where you need your dailies as fast as possible, and all ProRes RAW jobs (we're looking at you, DJI 4D).įor jobs with more time, we're still likely going to do dailies in Resolve since we like being able to do a quick look at the color and make sure things are "roughed in" before we send them off to editorial, but there isn't always the time or the need to do that, and that's where EditReady really shines. You aren't going to want to put that in your 2015 laptop and create proxies. You have to use their internal dailies tools to make your proxy files, and depending on your setup, you might not love those tools. Sure, you can currently work with ProRes RAW files natively in FCPX, Premiere, and Media Encoder, but you are doing that on their terms.
EDITREADY KEYWORDS FULL
This is why the newest update for EditReady, adding full RAW support to a host of camera native RAW formats but best of all ProRes RAW, is huge. But Resolve currently doesn't support ProRes RAW, and isn't likely into the future, though we can keep hoping the support will come. The biggest competition is of course Resolve, since it's the fastest, and it's free. If you have to get footage from your camera format to ProRes or DNxHD for editing, it offers a really compelling option with speeds that can be 2x Resolve, 3x Premiere, and 5x Media Encoder.īecause all it does is transcode, that's where the devs put all their effort, and depending on hard drives and source format, it can scream. Resolves an issue with distorted audio conversion from AVCHDįor those new to EditReady you can buy it for $49.99 and check out their website for more details here.EditReady has long been one of our favorite transcoding tools for not only its simplicity, but also its speed.Resolves an issue with audio conversion from HDV footage.Resolves an issue playing converted files with discrete audio tracks in Quicktime Player.Fixes a potential crash in MacOS 10.11.6 when opening preview windows.It is advisable that you download EditReady 2.5.2 to avoid some of the bugs in 2.5.ĮditReady 2.5.2 remedial release resolves some issues the team at EditReady identified in the most current 2.5 release. Since the release of EditReady 2.5, just days ago, there has been a remedial update, the details of which you can see below. Miscellaneous speed and stability improvements.
EDITREADY KEYWORDS PRO
Fixes hang that occurred converting some filmic pro clips.Fixes bug that wouldn’t recall overlay settings in command line transcodes.Fixes bug that could cause audio dropout in 24p to 25p frame retiming.Fixes visual styling in macOS 10.14 Mojave dark mode.Adds clip duration to metadata displayed in info views.Adds Blackmagic Raw support (MacOS 10.12 and later).Adds clip trimming – set in and out in preview to transcode a region of the clip.
Not to mention newer and much more exciting hybrid shooters like the Panasonic GH5 and GH5s. Whether you’re working with MXF from a camera like the Canon C300 II or you are a Sony F5 or FS7 (XAVC) shooter, EditReady has you covered. Even older AVCHD cameras like the Panasonic HDC-TM900 or Sony NX5U, or HDV cameras like a Sony HVR-Z7U are also covered.
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